Selected Publications
2014 International Computer Music Conference and Sound and Music Computing Conference, Athens,
Proceedings, pp.37-40. "Musings on the Status of Electronic Music Today"
2003 Conference on New Interfaces for Musical Expression, Montreal, Proceedings, pp.197-200.
"Convolution Brothers' Instrument Design"
2003 International Computer Music Conference, Singapore, Proceedings, pp. 41-44.
"Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing"
2002 Information Processing Society of Japan SIG Notes, Volume 2002, Number 123, pp.1-6.
"Real-Time Interaction Among Composers, Performers, and Computer Systems"
1998 International Computer Music Conference, Ann Arbor, Proceedings, pp. 142-149.
"Real-Time Frequency-Domain Digital Signal Processing on the Desktop"
1997 Information Processing Society of Japan SIG Notes, Volume 97, Number 122, pp.33-38.
"Music for Piano and Computer: A Description"
1997 Computer Music Journal, MIT Press, Volume 20, Number 4, pp.21-24.
"Real-Time Interactive Digital Signal Processing: A View of Computer Music"
1996 International Computer Music Conference, Hong Kong, Proceedings, pp.116-117.
"A Look at Performer/Machine Interaction Using Real-time Systems"
1994 Contemporary Music Review, Vol. 10, United Kingdom, Harwood Academic Publishers, pp.149-155.
"Real-time Granular Sampling Using the IRCAM Signal Processing Workstation"
1994 Contemporary Music Review, Vol. 10, United Kingdom, Harwood Academic Publishers, pp.171-179.
"Real-time Timbral Transformation: FFT-based Resynthesis"
1994 3rd International Conference for Music Perception and Cognition, Liege, Proceedings, pp.328-333.
"Getting the Acoustic Parameters from a Live Performance"
1993 10th Italian Colloquium on Computer Music, Milan, Proceedings, pp.428-432.
"A Composition for Clarinet and Real-Time Signal Processing: Using Max on the IRCAM Signal Processing Workstation"
1992 International Computer Music Conference, San Jose, Proceedings, pp.182-185.
"Score Following In Practice"
1991 International Computer Music Conference, Montreal, Proceedings, pp.533-536.
"Musical Performance Using the IRCAM Workstation"
1991 9th Italian Colloquium on Computer Music, Genoa, Proceedings, pp.210-214.
"The IRCAM Musical Workstation: A Prototyping and Production Tool for Real-Time Computer Music"
1991 Contemporary Music Review, Vol. 6, United Kingdom, Harwood Academic Publishers, pp.219-224.
"Real-time Computer Music at IRCAM"
2014 International Computer Music Conference and Sound and Music Computing Conference, Athens,
Proceedings, pp.37-40. "Musings on the Status of Electronic Music Today"
2003 Conference on New Interfaces for Musical Expression, Montreal, Proceedings, pp.197-200.
"Convolution Brothers' Instrument Design"
2003 International Computer Music Conference, Singapore, Proceedings, pp. 41-44.
"Techniques for Multi-Channel Real-Time Spatial Distribution Using Frequency-Domain Processing"
2002 Information Processing Society of Japan SIG Notes, Volume 2002, Number 123, pp.1-6.
"Real-Time Interaction Among Composers, Performers, and Computer Systems"
1998 International Computer Music Conference, Ann Arbor, Proceedings, pp. 142-149.
"Real-Time Frequency-Domain Digital Signal Processing on the Desktop"
1997 Information Processing Society of Japan SIG Notes, Volume 97, Number 122, pp.33-38.
"Music for Piano and Computer: A Description"
1997 Computer Music Journal, MIT Press, Volume 20, Number 4, pp.21-24.
"Real-Time Interactive Digital Signal Processing: A View of Computer Music"
1996 International Computer Music Conference, Hong Kong, Proceedings, pp.116-117.
"A Look at Performer/Machine Interaction Using Real-time Systems"
1994 Contemporary Music Review, Vol. 10, United Kingdom, Harwood Academic Publishers, pp.149-155.
"Real-time Granular Sampling Using the IRCAM Signal Processing Workstation"
1994 Contemporary Music Review, Vol. 10, United Kingdom, Harwood Academic Publishers, pp.171-179.
"Real-time Timbral Transformation: FFT-based Resynthesis"
1994 3rd International Conference for Music Perception and Cognition, Liege, Proceedings, pp.328-333.
"Getting the Acoustic Parameters from a Live Performance"
1993 10th Italian Colloquium on Computer Music, Milan, Proceedings, pp.428-432.
"A Composition for Clarinet and Real-Time Signal Processing: Using Max on the IRCAM Signal Processing Workstation"
1992 International Computer Music Conference, San Jose, Proceedings, pp.182-185.
"Score Following In Practice"
1991 International Computer Music Conference, Montreal, Proceedings, pp.533-536.
"Musical Performance Using the IRCAM Workstation"
1991 9th Italian Colloquium on Computer Music, Genoa, Proceedings, pp.210-214.
"The IRCAM Musical Workstation: A Prototyping and Production Tool for Real-Time Computer Music"
1991 Contemporary Music Review, Vol. 6, United Kingdom, Harwood Academic Publishers, pp.219-224.
"Real-time Computer Music at IRCAM"