Use the links in the composition descriptions below to download and/or listen/view recordings of pieces, program notes, scores, and parts. For the electroacoustic pieces, an AIFF performance version is also available, and for the interactive
works the software needed for performance is downloadable as well. A mirror site with all the downloadable files found on this page is available here.
All composition titles that contain the word "Computer" or "ISPW" are interactive works. The Max/MSP software for
each piece can be downloaded. In addition a small Max/MSP patch for advancing events with a MIDI device or the
computer keyboard can be downloaded here, and a short technical README for all the interactive pieces can be
downloaded here.
works the software needed for performance is downloadable as well. A mirror site with all the downloadable files found on this page is available here.
All composition titles that contain the word "Computer" or "ISPW" are interactive works. The Max/MSP software for
each piece can be downloaded. In addition a small Max/MSP patch for advancing events with a MIDI device or the
computer keyboard can be downloaded here, and a short technical README for all the interactive pieces can be
downloaded here.
Selected Compositions
Duo for Vibraphone & Computer, 2015 (adapted from Duo for Tenor Steel Pan and Computer, 2011) was premiered
by Patti Cudd at NYU's Interactive Arts Performance Series, New York in 2015, and was released on
Cudd's solo CD with Innova Records entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Septet & Computer, 2013, (for flute, clarinet, violin, cello, trombone, piano, and percussion) was
commissioned by the E-Mex Ensemble für neue Musik of Essen, Germany with funds from the
Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen. The work
was premiered at the 2013 NOW Festival, Essen, Germany by the E-Mex Ensemble with Christoph Maria Wagner conducting.
The score, parts, and program notes, and a technical rider are available for download along with the Max/MSP software to
run the computer part either for Mac or PC. A second download here is needed to go with the Mac or PC download.
(Instructions for the second download are found in a README in the download.) Here is another location where the
software can be download.
Music for Octet & Computer, 2012 (for trombone quartet and percussion quartet) was commissioned by the
University of Wisconsin at River Falls for their 46th Annual Commissioned Composer Project, and
premiered at River Falls in 2012 with Patti Cudd conducting.
The score, parts, and program notes are available for download along with the Max/MSP software to run the computer part either for Mac or PC.
Duo for Tenor Steel Pan & Computer, 2011, was commissioned by percussionist Kenyon Williams with
funds from the Minnesota State Arts Board, and premiered by Williams in Morehead, Minnesota, 2011.
The piece is recorded on Williams' solo CD entitled Homage.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Duo for Cajon & Computer, 2011, was commissioned by the percussionist Patti Cudd and premiered by her in Bangkok, Thailand, 2001. It is recorded by Cudd and released on Musicworks Press Recordings, the
Seamus Label, vol. 23, and her solo CD with Innova Records entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Vereco, 2009, (2 channel electroacoustic music) was created and premiered as part of the celebration of the
25th Anniversary of Miso Music at the Musica Viva Festival, Lisbon, Portugal. 2010.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Music for Tuba & Computer, 2008, was commissioned by and realized at the Zentrum fur Kunst und
Medientechnologie(ZKM). The piece written for the tubist Melvyn Poore, and premiered by him in the
Cubus concert space at ZKM, 2009. It is recorded by Poore on the Wergo label.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Snare Drum & Computer, 2007, was commissioned by the percussionist Pedro Carneiro, and
premiered by him at the Musica Viva Festival, Porto, Portugal, 2007. The piece was recorded by Carneiro on the SEAMUS Label, vol. 20, and by Patti Cudd on her solo CD entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac and PC.
Termites, 2006, (2 channel electroacoustic music) was commissioned by the percussionist Pedro Carneiro,
and premiered at the Society for Electroacoustic Music in the United States Conference, 2007. It is recorded on the double CD Improbable Transgressions conceived by Pedro Carneiro for Sirr Records.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Music for Marimba & Computer, 2004, was commissioned for the Sonorities Festival of the Sonic Arts
Research Center, Belfast with funding from the National Lottery through the Arts Council of Northern
Ireland, and written for the percussionist Pedro Carneiro.The piece was premiered by Carneiro at the
Sonorities Festival in 2004.
An mp3 recording, the score, program notes, are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Trio for Clarinet & Two Computers, 2002, was commissioned by and co-composed with the clarinetist
Esther Lamneck, and premiered on the Interactive Arts Performance Series of NYU, New York, 2003. The
piece is recorded on Lamneck's solo CD of music for clarinet and electronics Cigar Smoke on the Innova
label.
An mp3 recording and program notes are available for download.
Music for Cello & Computer, 1999, was commissioned by the Fynske Musikkonservatorium Carl Nielsen,
Odense, Denmark, and premiered by the cellist Niels Ullner at the the Fynske Musikkonservatorium,
Odense, 1999. The piece is recorded by Jonathan Golove on the Singapore ICMC 2003 CD.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Hi-Hat & Computer, 1998, was commissioned by the percussionist J. Landry Cosgrove, and
premiered at the Fynske Musikkonservatorium Carl Nielsen, Odense, Denmark, 1999. The piece is
recorded by J. L. Cosgrove on theBerlin ICMC 2000 CD, and on the Electric Hammer Ensemble CD How to Philosophize with a Hammer with Diego Espinosa, percussionist, on the EMF label It is also recorded on
Patti Cudd's solo CD entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Alto Saxophone & Computer, 1997, was commissioned by the saxophonist Steve Duke and
premiered by him at the 25th International Electroacoustic Music Festival, Bourges, France in 1997.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC. In addition, there is a version for tenor sax for Mac or PC, if interested.
Music for Piano & Computer, 1996, was commissioned by the pianist Yoshiko Shibuya, and premiered by
her at Casals Hall, Tokyo, 1996. The piece is recorded by Shibuya on the solo CD De la Nuit on the ALM
label, and also released on the SEAMUS label, vol. 8, and the 4th International Sound and Music Computer
Conference, Lefkada, vol. 4.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Contrabass & Computer, 1995, was commissioned by the Festival El Callejon del Ruido, Mexico,
and written for the bassist Robert Black. It was premiered at the Festival El Callejon del Ruido in
Guanajuato, Mexico, 1996, and is recorded by Irina-Kalina Goudeva on on her solo CD voice and double
bass with IKG Editions, Denmark.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Flute & ISPW, 1994, (IRCAM Signal Processing Workstation) was commissioned by the flutist
François Bru with funds from the French Section of the International Society of Music Educators, and
premiered by Bru at the 25th International Conference of Music Educators, 1994, USA. The piece was
realized at IRCAM, Paris, France, and recorded by Lars Graugaard on his solo CD of music for flute and
electronics on the Classico label, and by Elizabeth McNutt on her solo CD pipe wrench, EMF label.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Sextet & ISPW, 1993, (for flute, bass clarinet, violin, cello, trombone, and piano) was commissioned by
the International Computer Music Association, realized at IRCAM, Paris, France, and premiered at the
International Computer Music Conference, 1993, Tokyo. The piece was awarded honorable mention from Prix Ars Electronica, 1993, Linz, Austria, and is recorded on the Centaur label in the CDCM Computer
Music Series, vol. 16, with Tetsuji Honna conducting, and on the CD entitled Mambo from the Fynske
Musikkonservatorium Carl Nielsen label, conducted by Lars Graugaard.
An mp3 recording, the score, parts, program notes, and a technical rider are available for download along with the
Max/MSP software to run the computer part either for Mac or PC.
Music for Clarinet & ISPW, 1992, (IRCAM Signal Processing Workstation) was commissioned by the
Center for Computer Music & Music Technology, Kunitachi College of Music, Tokyo, and realized using
software and hardware developed at IRCAM, Paris, France. The piece was premiered by Esther Lamneck on the Interactive Arts Performance Series of NYU, New York, 1992, and is recorded by Lamneck on the
Centaur label CDCM Computer Music Series, vol. 24.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Paraptra, 1991, (2 channel electroacoustic music) was realized at IRCAM, Paris, France, and premiered
at the Society for Electroacoustic Music in the United States Conference, 1991. The piece is recorded on the SEAMUS label, vol. 2.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Music for Guitar & Tape, 1991, was commissioned by guitarist Carlos Molinaro and the Association
Mixture, Paris, France. The piece was realized at IRCAM, Paris, premiered by Molinaro at the Conseil
International de la Musique, UNESCO, in Paris, 1991, and recorded by Paul Binkley on the Centaur label CDCM Computer Music Series, vol. 16.
An mp3 recording, AIFF files for performance, the score, program notes, and mixing instructions are available for
download.
Music for Harp & Tape, 1990, was commissioned by and written for the harpist Masumi Nagasawa, and
premiered by her at the Ueno Cultural Center, Tokyo, Japan, 1990. The piece was realized at IRCAM,
Paris, France, and awarded 1st prize in the 19th International Electroacoustic Music Competition,
Bourges, France, 1991, and honorable mentions from the Kennedy Center Friedheim Awards, 1991, USA, and from the Prix Ars Electronica, 1993, Linz, Austria. The piece is recorded by Nagasawa on the
Harmonia Mundi label and by Sofia Asunción Claro on Centaur Records.
An mp3 recording, AIFF files for performance, the score, program notes, and mixing instructions are available for
download.
String Trio Music,1989, (for viola, cello, and contrabass, written in memoriam for John Cassavetes 1929-1989) was
premiered at the International Computer Music Conference, Glasgow, Scotland, 1990, and awarded 1st
prize in the El Callejon del Ruido Algorithmic Composition Competition, Mexico, 1989, jury chaired by Brian Ferneyhough.
An mp3 recording, the score, and program notes are available for download.
Music for Five Players II, 1989, (for flute, clarinet, violin, cello, and piano) was commissioned by L'Ensemble des Deux Mondes, Paris, dedicated to Reiko Irino, and premiered at the 10th Anniversary Concert of Irino Prizewinners, Goethe Institute, Tokyo, 1989.
An mp3 recording, the score, and program notes are available for download.
Music for Flute & Harp, 1988, was commissioned by the Paris-based Duo Ariane, François Bru, flute and
Gwenaelle Roussëly, harp, and premiered by the Duo at L'Eglise St. Julien in Paris, 1988. The piece was awarded 1st prize in the 2nd Leonie D. Rothschild Composition Competition, USA, and is recorded by the Duo Ariane on the ADDA label with support from the Société des Auteurs, Compositeurs et Editeurs de
Musique, France.
An mp3 recording, the score, and program notes are available for download.
Solo Tuba Music, 1987, (with text excerpts from the novel "Gravity's Rainbow" by Thomas Pynchon) was
commissioned by and written for the tubist Mel Culbertson and dedicated to David Durant. The piece
was premiered by Culbertson at Confluences, Paris, 1987, and recorded by Culbertson on Neuma Records, vol. 1; and on the Contemporary Music Review Recordings, U.K., Harwood Academic Publishers, vol. 6; and also recorded on József Bazsinka's CD entitled Waves on Hungaroton Classic.
An mp3 recording, the score, and program notes are available for download.
Solo Piano Music II, 1987, was commissioned by and written for the pianist Scott Walton, and premiered
by David Jaggard at the Meeting Music Yesterday and Today Festival, Paris, 1987. The piece is recorded by
Ichiro Nodaira on his solo cd Territoires de L'oubli on the Apollon label, 1991.
An mp3 recording, the score, and program notes are available for download.
Music for Sho & Harp, 1986, was commissioned by Norio Kazama and written for the sho player Mayumi Miyata and the harpist Masumi Nagasawa, and was premiered by Miyata and Nagasawa at the Hato
Museum, Tokyo, 1986. The piece was awarded 1st prize in the 8th Irino Composition Competition, Japan,
and 1st prize in the USA League-International Society of Contemporary Music Competition where it was
chosen as an official USA entry to the ISCM World Music Days in Hong Kong, 1988. It is recorded by
Miyata and Nagasawa on Miyata's solo cd Sho Cosmos on the CBS/Sony label.
An mp3 recording, the score, and program notes are available for download.
Music for Bass Clarinet & Tape, 1986, was commissioned by the International Computer Music Conference, 1986, with support from the Fund for the Creation of Music, The Netherlands, written for Harry Sparnaay, and premiered by him at the International Computer Music Conference, The Hague, 1986. The piece was realized at Iannis Xenakis' Centre d'Etudes de Mathematique et Automatique Musicales, Paris, and was awarded honorable mention in the 15th International Electroacoustic Music Competition, Bourges,
France, 1987. It is recorded by Sparnaay on the Computer Music Journal Sound Anthology, vol. 26,
MIT Press, a compilation of pieces by composers influenced by Xenakis.
An mp3 recording, AIFF files for performance, the score, program notes, and mixing instructions are available for
download.
Possessive Knots, 1985, (for soprano voice, bass voice, and piano with texts from "Knots" by R. D. Laing) was
premiered at the Walker Arts Center, Minneapolis, Minnesota, 1992.
An mp3 recording, the score, and program notes are available for download.
Music for Twelve Brass Players, 1984, (for 4 trumpets, 4 horns, and 4 trombones) was premiered at the Krannert Center for the Performing Arts, Urbana, Illinois, 1993.
An mp3 recording, the score, and program notes are available for download.
Duo Piano Music, 1984, was commissioned by the pianist Scott Walton, and realized at the Institute of
Sonology, Utrecht, The Netherlands. The piece was premiered at the Music Today Festival, directed by
Toru Takemitsu, Tokyo, 1986, and awarded 2nd prize in the Music Today Composition Competition, jury
chaired by Takemitsu.
An mp3 recording, the score, and program notes are available for download.
Vosive I, 1983, (2 channel electroacoustic music) was realized at the Institute of Sonology, Utrecht, The
Netherlands, and premiered at the Festival of Thirty Years of Electronic Music organized by the WDR in
Cologne in 1984.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Collaboratie met UPIC, 1982, (2 channel electroacoustic music) was realized as a collaborative composition
by six composers for premiere at the Middleburg, Netherlands New Music Festival, 1982, using the UPIC
system, developed by the composer Iannis Xenakis at his Paris research center CEMAMu.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Piano'ed Piece, 1982, (for pianist/speaker and tape with text from "Castle to Castle" by L. F. Celine) was written
as a birthday gift for the composer and pianist David Jaggard, who premiered the work at the Meeting of Music Yesterday and Today Festival, Paris, 1987.
An mp3 recording, the score, and program notes are available for download.
Tapewalk II, 1981, (2 channel electroacoustic music) was realized at the Institute of Sonology, Utrecht, and
premiered there in 1982.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Tapewalk I, 1981, (2 channel electroacoustic music) was realized at the Institute of Sonology, Utrecht, and
premiered at the International Computer Music Conference, Venice, Italy, 1982. The piece was awarded 3rd prize in the NEWCOMP International Computer Music Competition, USA, 1983, and is recorded on the CD
Out of Nowhere, Big Orbit Records.
An mp3 recording, the AIFF file for performance, and program notes available for download.
Avocean, 1978, (4 channel electroacoustic music) was realized at the Systems Complex for the Performing
Arts (SYCOM), USA, and premiered there in 1978.
An mp3 recording, the AIFF files for performance, a stereo AIFF version, program notes, and mixing instructions are
available for download.
Duo for Vibraphone & Computer, 2015 (adapted from Duo for Tenor Steel Pan and Computer, 2011) was premiered
by Patti Cudd at NYU's Interactive Arts Performance Series, New York in 2015, and was released on
Cudd's solo CD with Innova Records entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Septet & Computer, 2013, (for flute, clarinet, violin, cello, trombone, piano, and percussion) was
commissioned by the E-Mex Ensemble für neue Musik of Essen, Germany with funds from the
Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen. The work
was premiered at the 2013 NOW Festival, Essen, Germany by the E-Mex Ensemble with Christoph Maria Wagner conducting.
The score, parts, and program notes, and a technical rider are available for download along with the Max/MSP software to
run the computer part either for Mac or PC. A second download here is needed to go with the Mac or PC download.
(Instructions for the second download are found in a README in the download.) Here is another location where the
software can be download.
Music for Octet & Computer, 2012 (for trombone quartet and percussion quartet) was commissioned by the
University of Wisconsin at River Falls for their 46th Annual Commissioned Composer Project, and
premiered at River Falls in 2012 with Patti Cudd conducting.
The score, parts, and program notes are available for download along with the Max/MSP software to run the computer part either for Mac or PC.
Duo for Tenor Steel Pan & Computer, 2011, was commissioned by percussionist Kenyon Williams with
funds from the Minnesota State Arts Board, and premiered by Williams in Morehead, Minnesota, 2011.
The piece is recorded on Williams' solo CD entitled Homage.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Duo for Cajon & Computer, 2011, was commissioned by the percussionist Patti Cudd and premiered by her in Bangkok, Thailand, 2001. It is recorded by Cudd and released on Musicworks Press Recordings, the
Seamus Label, vol. 23, and her solo CD with Innova Records entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Vereco, 2009, (2 channel electroacoustic music) was created and premiered as part of the celebration of the
25th Anniversary of Miso Music at the Musica Viva Festival, Lisbon, Portugal. 2010.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Music for Tuba & Computer, 2008, was commissioned by and realized at the Zentrum fur Kunst und
Medientechnologie(ZKM). The piece written for the tubist Melvyn Poore, and premiered by him in the
Cubus concert space at ZKM, 2009. It is recorded by Poore on the Wergo label.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Snare Drum & Computer, 2007, was commissioned by the percussionist Pedro Carneiro, and
premiered by him at the Musica Viva Festival, Porto, Portugal, 2007. The piece was recorded by Carneiro on the SEAMUS Label, vol. 20, and by Patti Cudd on her solo CD entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac and PC.
Termites, 2006, (2 channel electroacoustic music) was commissioned by the percussionist Pedro Carneiro,
and premiered at the Society for Electroacoustic Music in the United States Conference, 2007. It is recorded on the double CD Improbable Transgressions conceived by Pedro Carneiro for Sirr Records.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Music for Marimba & Computer, 2004, was commissioned for the Sonorities Festival of the Sonic Arts
Research Center, Belfast with funding from the National Lottery through the Arts Council of Northern
Ireland, and written for the percussionist Pedro Carneiro.The piece was premiered by Carneiro at the
Sonorities Festival in 2004.
An mp3 recording, the score, program notes, are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Trio for Clarinet & Two Computers, 2002, was commissioned by and co-composed with the clarinetist
Esther Lamneck, and premiered on the Interactive Arts Performance Series of NYU, New York, 2003. The
piece is recorded on Lamneck's solo CD of music for clarinet and electronics Cigar Smoke on the Innova
label.
An mp3 recording and program notes are available for download.
Music for Cello & Computer, 1999, was commissioned by the Fynske Musikkonservatorium Carl Nielsen,
Odense, Denmark, and premiered by the cellist Niels Ullner at the the Fynske Musikkonservatorium,
Odense, 1999. The piece is recorded by Jonathan Golove on the Singapore ICMC 2003 CD.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Hi-Hat & Computer, 1998, was commissioned by the percussionist J. Landry Cosgrove, and
premiered at the Fynske Musikkonservatorium Carl Nielsen, Odense, Denmark, 1999. The piece is
recorded by J. L. Cosgrove on theBerlin ICMC 2000 CD, and on the Electric Hammer Ensemble CD How to Philosophize with a Hammer with Diego Espinosa, percussionist, on the EMF label It is also recorded on
Patti Cudd's solo CD entitled EOS.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Alto Saxophone & Computer, 1997, was commissioned by the saxophonist Steve Duke and
premiered by him at the 25th International Electroacoustic Music Festival, Bourges, France in 1997.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC. In addition, there is a version for tenor sax for Mac or PC, if interested.
Music for Piano & Computer, 1996, was commissioned by the pianist Yoshiko Shibuya, and premiered by
her at Casals Hall, Tokyo, 1996. The piece is recorded by Shibuya on the solo CD De la Nuit on the ALM
label, and also released on the SEAMUS label, vol. 8, and the 4th International Sound and Music Computer
Conference, Lefkada, vol. 4.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Contrabass & Computer, 1995, was commissioned by the Festival El Callejon del Ruido, Mexico,
and written for the bassist Robert Black. It was premiered at the Festival El Callejon del Ruido in
Guanajuato, Mexico, 1996, and is recorded by Irina-Kalina Goudeva on on her solo CD voice and double
bass with IKG Editions, Denmark.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Flute & ISPW, 1994, (IRCAM Signal Processing Workstation) was commissioned by the flutist
François Bru with funds from the French Section of the International Society of Music Educators, and
premiered by Bru at the 25th International Conference of Music Educators, 1994, USA. The piece was
realized at IRCAM, Paris, France, and recorded by Lars Graugaard on his solo CD of music for flute and
electronics on the Classico label, and by Elizabeth McNutt on her solo CD pipe wrench, EMF label.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Music for Sextet & ISPW, 1993, (for flute, bass clarinet, violin, cello, trombone, and piano) was commissioned by
the International Computer Music Association, realized at IRCAM, Paris, France, and premiered at the
International Computer Music Conference, 1993, Tokyo. The piece was awarded honorable mention from Prix Ars Electronica, 1993, Linz, Austria, and is recorded on the Centaur label in the CDCM Computer
Music Series, vol. 16, with Tetsuji Honna conducting, and on the CD entitled Mambo from the Fynske
Musikkonservatorium Carl Nielsen label, conducted by Lars Graugaard.
An mp3 recording, the score, parts, program notes, and a technical rider are available for download along with the
Max/MSP software to run the computer part either for Mac or PC.
Music for Clarinet & ISPW, 1992, (IRCAM Signal Processing Workstation) was commissioned by the
Center for Computer Music & Music Technology, Kunitachi College of Music, Tokyo, and realized using
software and hardware developed at IRCAM, Paris, France. The piece was premiered by Esther Lamneck on the Interactive Arts Performance Series of NYU, New York, 1992, and is recorded by Lamneck on the
Centaur label CDCM Computer Music Series, vol. 24.
An mp3 recording, the score, and program notes are available for download along with the Max/MSP software to run the
computer part either for Mac or PC.
Paraptra, 1991, (2 channel electroacoustic music) was realized at IRCAM, Paris, France, and premiered
at the Society for Electroacoustic Music in the United States Conference, 1991. The piece is recorded on the SEAMUS label, vol. 2.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Music for Guitar & Tape, 1991, was commissioned by guitarist Carlos Molinaro and the Association
Mixture, Paris, France. The piece was realized at IRCAM, Paris, premiered by Molinaro at the Conseil
International de la Musique, UNESCO, in Paris, 1991, and recorded by Paul Binkley on the Centaur label CDCM Computer Music Series, vol. 16.
An mp3 recording, AIFF files for performance, the score, program notes, and mixing instructions are available for
download.
Music for Harp & Tape, 1990, was commissioned by and written for the harpist Masumi Nagasawa, and
premiered by her at the Ueno Cultural Center, Tokyo, Japan, 1990. The piece was realized at IRCAM,
Paris, France, and awarded 1st prize in the 19th International Electroacoustic Music Competition,
Bourges, France, 1991, and honorable mentions from the Kennedy Center Friedheim Awards, 1991, USA, and from the Prix Ars Electronica, 1993, Linz, Austria. The piece is recorded by Nagasawa on the
Harmonia Mundi label and by Sofia Asunción Claro on Centaur Records.
An mp3 recording, AIFF files for performance, the score, program notes, and mixing instructions are available for
download.
String Trio Music,1989, (for viola, cello, and contrabass, written in memoriam for John Cassavetes 1929-1989) was
premiered at the International Computer Music Conference, Glasgow, Scotland, 1990, and awarded 1st
prize in the El Callejon del Ruido Algorithmic Composition Competition, Mexico, 1989, jury chaired by Brian Ferneyhough.
An mp3 recording, the score, and program notes are available for download.
Music for Five Players II, 1989, (for flute, clarinet, violin, cello, and piano) was commissioned by L'Ensemble des Deux Mondes, Paris, dedicated to Reiko Irino, and premiered at the 10th Anniversary Concert of Irino Prizewinners, Goethe Institute, Tokyo, 1989.
An mp3 recording, the score, and program notes are available for download.
Music for Flute & Harp, 1988, was commissioned by the Paris-based Duo Ariane, François Bru, flute and
Gwenaelle Roussëly, harp, and premiered by the Duo at L'Eglise St. Julien in Paris, 1988. The piece was awarded 1st prize in the 2nd Leonie D. Rothschild Composition Competition, USA, and is recorded by the Duo Ariane on the ADDA label with support from the Société des Auteurs, Compositeurs et Editeurs de
Musique, France.
An mp3 recording, the score, and program notes are available for download.
Solo Tuba Music, 1987, (with text excerpts from the novel "Gravity's Rainbow" by Thomas Pynchon) was
commissioned by and written for the tubist Mel Culbertson and dedicated to David Durant. The piece
was premiered by Culbertson at Confluences, Paris, 1987, and recorded by Culbertson on Neuma Records, vol. 1; and on the Contemporary Music Review Recordings, U.K., Harwood Academic Publishers, vol. 6; and also recorded on József Bazsinka's CD entitled Waves on Hungaroton Classic.
An mp3 recording, the score, and program notes are available for download.
Solo Piano Music II, 1987, was commissioned by and written for the pianist Scott Walton, and premiered
by David Jaggard at the Meeting Music Yesterday and Today Festival, Paris, 1987. The piece is recorded by
Ichiro Nodaira on his solo cd Territoires de L'oubli on the Apollon label, 1991.
An mp3 recording, the score, and program notes are available for download.
Music for Sho & Harp, 1986, was commissioned by Norio Kazama and written for the sho player Mayumi Miyata and the harpist Masumi Nagasawa, and was premiered by Miyata and Nagasawa at the Hato
Museum, Tokyo, 1986. The piece was awarded 1st prize in the 8th Irino Composition Competition, Japan,
and 1st prize in the USA League-International Society of Contemporary Music Competition where it was
chosen as an official USA entry to the ISCM World Music Days in Hong Kong, 1988. It is recorded by
Miyata and Nagasawa on Miyata's solo cd Sho Cosmos on the CBS/Sony label.
An mp3 recording, the score, and program notes are available for download.
Music for Bass Clarinet & Tape, 1986, was commissioned by the International Computer Music Conference, 1986, with support from the Fund for the Creation of Music, The Netherlands, written for Harry Sparnaay, and premiered by him at the International Computer Music Conference, The Hague, 1986. The piece was realized at Iannis Xenakis' Centre d'Etudes de Mathematique et Automatique Musicales, Paris, and was awarded honorable mention in the 15th International Electroacoustic Music Competition, Bourges,
France, 1987. It is recorded by Sparnaay on the Computer Music Journal Sound Anthology, vol. 26,
MIT Press, a compilation of pieces by composers influenced by Xenakis.
An mp3 recording, AIFF files for performance, the score, program notes, and mixing instructions are available for
download.
Possessive Knots, 1985, (for soprano voice, bass voice, and piano with texts from "Knots" by R. D. Laing) was
premiered at the Walker Arts Center, Minneapolis, Minnesota, 1992.
An mp3 recording, the score, and program notes are available for download.
Music for Twelve Brass Players, 1984, (for 4 trumpets, 4 horns, and 4 trombones) was premiered at the Krannert Center for the Performing Arts, Urbana, Illinois, 1993.
An mp3 recording, the score, and program notes are available for download.
Duo Piano Music, 1984, was commissioned by the pianist Scott Walton, and realized at the Institute of
Sonology, Utrecht, The Netherlands. The piece was premiered at the Music Today Festival, directed by
Toru Takemitsu, Tokyo, 1986, and awarded 2nd prize in the Music Today Composition Competition, jury
chaired by Takemitsu.
An mp3 recording, the score, and program notes are available for download.
Vosive I, 1983, (2 channel electroacoustic music) was realized at the Institute of Sonology, Utrecht, The
Netherlands, and premiered at the Festival of Thirty Years of Electronic Music organized by the WDR in
Cologne in 1984.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Collaboratie met UPIC, 1982, (2 channel electroacoustic music) was realized as a collaborative composition
by six composers for premiere at the Middleburg, Netherlands New Music Festival, 1982, using the UPIC
system, developed by the composer Iannis Xenakis at his Paris research center CEMAMu.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Piano'ed Piece, 1982, (for pianist/speaker and tape with text from "Castle to Castle" by L. F. Celine) was written
as a birthday gift for the composer and pianist David Jaggard, who premiered the work at the Meeting of Music Yesterday and Today Festival, Paris, 1987.
An mp3 recording, the score, and program notes are available for download.
Tapewalk II, 1981, (2 channel electroacoustic music) was realized at the Institute of Sonology, Utrecht, and
premiered there in 1982.
An mp3 recording, the AIFF file for performance, and program notes are available for download.
Tapewalk I, 1981, (2 channel electroacoustic music) was realized at the Institute of Sonology, Utrecht, and
premiered at the International Computer Music Conference, Venice, Italy, 1982. The piece was awarded 3rd prize in the NEWCOMP International Computer Music Competition, USA, 1983, and is recorded on the CD
Out of Nowhere, Big Orbit Records.
An mp3 recording, the AIFF file for performance, and program notes available for download.
Avocean, 1978, (4 channel electroacoustic music) was realized at the Systems Complex for the Performing
Arts (SYCOM), USA, and premiered there in 1978.
An mp3 recording, the AIFF files for performance, a stereo AIFF version, program notes, and mixing instructions are
available for download.